Ancient philosophers were enthralled by the mathematical relationships they found in nature, and believed that numbers underlay every aspect of reality. HILDI HAWKINS explains how certain numbers then acquired their own symbolic 'personality' 
      THE MOST FUNDAMENTAL arithmetical operation is tallying: the
      matching one for one of one set of objects with another or with marks in
      the dust, or pebbles, or
      knots in a string in order to compare quantities.
      The next step is to give names to numbers and to match objects against these
      in sequence - that is, to count. Some peoples, such as certain New Guineans
      and Brazilian Indians, have no names for numbers beyond three. And the number
      words that do exist may vary according to the type of object being counted.
      (This survives in modern English: we speak of a brace of gamebirds, pistols
      or dogs, but of nothing else.) It must have been a magical moment when the
      abstract nature of number was realised: the idea that three trees, three
      people, or even a collection of three different things all had one thing
      in common: their 'threeness'.  
 
 
      The power of this abstract idea must have been apparent very
      early. Number seemed somehow to underlie reality: all collections of three
      objects were united by their 'threeness'. At a very deep level, perhaps they
      were the same. It is small wonder that the mysterious power of the concept
      of number inspired a powerful tradition of mystical thought that still colours
      the way we think about numbers. The tradition comes to us from the medieval
      Christian Church, which in turn drew its inspiration from two major intellectual
      traditions, Greek Pythagoreanism and
      Hebrew
      gematria.
      The school of Pythagoras was a religious community
      founded by the semi-legendary figure of Pythagoras
      in the Greek colony of Croton, in southern Italy, around 530 BC. It was
      dedicated to the study of geometry, mathematics and
      astronomy, and to experimentation in music.
      The Pythagorean school studied the variations in pitch produced by vibrating
      strings of varying lengths, and is credited with the discovery that musical
      intervals may be represented in terms of simple ratios of whole numbers.
      It may have been the discovery of
      the mathematical
      nature of musical intervals that gave the Pythagoreans their idea that
      number was the key to the Universe. Whatever the
      origin of the belief, they clung to it fervently and bequeathed it to the
      West. 
 
      Like all Greeks, they thought of number geometrically. One was
      a point, two a line, three a triangle, the first plane figure, and
      four a tetrahedron (which
      resembles a pyramid, but has a triangular
      base), the first solid figure. These four numbers between them thus describe
      the whole of space. The Pythagoreans venerated them in a symmetrical pattern
      called the tetractys, and believed it was 'eternal nature's fountain
      spring'. Number pervaded the Pythagoreans' entire cosmology. Creation was
      seen as the division of primordial unity into parts.
      Each number had a certain significance attached to it; broadly, the Pythagoreans
      believed that the world was composed of a series of ten pairs of opposite
      corresponding to oddness or evenness in numbers
      - limited/unlimited,
      right/left,
      male/female, and so on.  
      In Hebrew, as in Greek, numbers were represented by letters
      of the alphabet, and this may well have stimulated gematria, the Jewish art
      of turning names into numbers. This was done simply
      by totalling the numbers that the letters stood for. The central idea of
      gematria was that things referred to by words whose letters added up to the
      same number were somehow the same; number expressed their true essence. 
      It was natural for early Christians to take up the numerological
      ideas of the two dominant intellectual traditions - Greek and Jewish - that
      surrounded them. The early symbol of the dove for Christ, for example, was
      probably adopted because the Greek letters alpha and omega - 'I am Alpha
      and Omega, the beginning and the ending, saith the Lord' (Revelation 1:8)
      - add to 801, the number of peristera, the Greek for 'dove'.  
      For the Christians, as for the Pythagoreans, goodness and maleness
      were associated with the odd numbers. One stands for perfection, unity, God.
      Two, as the first number to break away from that perfection, represents the
      Devil. And since odd numbers dominate in addition (odd + even = odd), and
      addition represents sexual union, odd numbers must
      represent the male sex.  
 
 
 
       The Bible, early Christian theologians believed, provided
      confirmation of the evil associated with two. For in the account of the Creation,
      did not God neglect on the second day to find that his work was good? And
      before the Flood, the unclean animals went into Noah's ark two by two, whereas
      the clean animals went in by sevens. Modern numerologists are more generous
      to the number two, preferring to emphasise its positive qualities, but it
      nonetheless remains the least favoured of the numbers
      (see page 1301). 
      Three is the first male number. One by itself although
      perfect, is barren; two introduces a discord that can only be resolved
      by adding the two numbers together to make three. It is this symbolism that
      is behind the Christian doctrine of the Trinity; as the 19th-century French
      magician Eliphas Levi put it: Were God only one, He would
      never be creator or father. Were He two, there would be antagonism or
      division in the infinite, which would mean the division also, or death, of
      all possible things. He is therefore three for the creation by Himself and
      in His image of the infinite multitude of beings and numbers. 
 
 
      The number of ill-luck 
      Five, on the other hand, is the number of male sexuality: it
      is made up of two and three: the first feminine number added to the first
      masculine number. Thus, in love, woman is given to man - and
      man 'naturally'
      dominates. 
      Seven is a number rich in biblical associations. There are seven
      deadly sins, seven Christian virtues, seven petitions in the Lord's prayer;
      on the seventh day of the siege of Jericho, Joshua marched seven times round
      the walls of the city and flattened them with a blast from seven trumpets;
      and Pharaoh's dream which Joseph interpreted, involved seven fat and seven
      lean cows, seven plump ears of corn and seven blighted ones. In folklore
      too mystery attaches to the number seven, magical properties are
      attributed to seventh sons and seventh sons of seventh sons. The power of
      the number seven stretches far back in time: around 2500 BC the great Sumerian
      king Lugulannemund built a temple in the city of Adab to the goddess Nintu,
      with seven gates and seven doors, purified with the sacrifice of seven times
      seven fatted oxen and sheep. One can only guess at the significance of this
      frequent use of the number - but it seems that it is linked with
      the phases of the
      Moon, which take about 28 (=4 x 7) days to go through a complete cycle.
      The ancients believed that the cycles of birth and death, growth and decay,
      depend on the waxing and waning of the Moon.  
 
 
       The symbolism of the numbers eight and nine is connected with
      human procreation: a woman's body has eight orifices, the eighth being the
      one through which new life enters the world. Eight is thus the number of
      worldly success. Nine is the number of completeness because a human child
      is conceived, formed and born in nine months. A few numbers greater than
      nine were regarded as having a special significance. Twelve, for instance,
      is a number of completeness: there are 12 months in the year, 12 signs of
      the zodiac, 12 tribes of Israel and, of course, 12 disciples Thirteen is
      a number of excess - it goes one beyond a number of completeness. The fact
      that there were 13 people at the Last Supper strengthens the uneasiness many
      people still feel about the number. This feeling is so strong that, for instance,
      when Queen Elizabeth II visited West Germany in 1965, the number of the platform
      at Duisburg station from which her train left was changed from 13 to 12a. 
      Armed with these interpretations of numbers, the Christian
      theologian had at his fingertips a powerful tool for unravelling the hidden
      meaning of any biblical text. The crowning glory of biblical number symbolism
      is the book of Revelation. Written in 22 chapters - the 'master' number,
      the number of things traditionally supposed to have been created by God,
      the number of letters in the Hebrew alphabet - it is full of numerological
      puzzles. The greatest and most famous of these is the
      puzzle of the number of the Beast, 666:  
 
 
      The identity of the Beast 
      Numerologists, however, have not been content with these simple
      explanations, and speculations as to the Beast's identity have ranged far
      and wide. In the early 19th century there was an attempt to make Napoleon
      into the Beast. Thomas Macaulay, the English statesman, refused to accept
      this hypothesis; with typically mordant wit, he announced that the House
      of Commons was obviously the Beast: it had 658 members, three clerks, a serjeant
      and a deputy, a doorkeeper, a chaplain and a librarian -making 666 in all.
      The magician Aleister
      Crowley believed himself to be the Beast; he had, he claimed, discovered
      his true identity while still a boy, with 'a passionately ecstatic sense
      of identity'. He signed himself 'The Beast 666' - or sometimes To mega
      therion, which means 'the great Beast' in Greek. Its number is 666.  
 
 
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